Screening History: “Troy: Fall of a City” (2018) and the Critique of Epic Masculinity

The story of the Trojan War has been told countless times in numerous forms: poetry, literature, film and, of course, television. Moving, tragic, and exhilarating, this narrative has produced works of great genius and lasting power (The Iliad) but also, unfortunately, some rather lackluster interpretations (Troy). Now, we have Troy: Fall of a City, a joint venture between Netflix … Continue reading Screening History: “Troy: Fall of a City” (2018) and the Critique of Epic Masculinity

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Screening the Bible: “Paul, Apostle of Christ” (2018)

Much as I love films that partake of the biblical epic tradition, I have to confess that these days I go into any new quasi-biblical-epic with a fair amount of trepidation. All too often, the attempt by filmmakers to be "devout" ends up hamstringing the films. They become not only spiritually toothless but cinematically boring … Continue reading Screening the Bible: “Paul, Apostle of Christ” (2018)

Screening Classic Hollywood: “How to Marry a Millionaire” (1953)

Recently, I decided to give the film How to Marry a Millionaire another watch. It's an important film in Hollywood history and, as a scholar of classic Hollywood, I'm always looking for new ways of thinking about this particularly important period of film history. I'm sure glad I did, because I LOVED this film. It's all too … Continue reading Screening Classic Hollywood: “How to Marry a Millionaire” (1953)

Queer Classics: “Love, Simon” (2018) and the Epistemology of the (Digital) Closet

Once upon a time, if you were to look for a mainstream gay teen romance, you would have to look outside the Hollywood system to the indies. Even there, you'd be hard pressed to find a film about queer teens. If there is one thing that has been off-bounds for mainstream film, it's the idea … Continue reading Queer Classics: “Love, Simon” (2018) and the Epistemology of the (Digital) Closet