Tag Archives: fantasy literature

World Building (7): The Great Houses of the Imperium–House Rendakis

House Rendakis is the current reigning House of the Imperium, and their sigil is a rearing stallion. Despite this, however, it is also a remarkably unfruitful House, as its only current prominent member is the Imperator herself. Her brother, as has been noted elsewhere, was slain in the midst of his unsuccessful rebellion against her, and her father, and his father before him, were the only heirs of their line.

Like the other prominent Houses, House Rendakis can trace its ancestry back to the founders of the Imperium, though it must be said that their heritage is somewhat diluted. Their progenitor Eugenios, the youngest of the nine children born to the founding monarchs, produced a line that seemed chronically unable to produce either a significant number of heirs to continue the viability of the line or to attain the power that it clearly so desperately crave.

Despite that, the descendants of Eugenios have, through careful manipulation and cunning, managed to ingratiate themselves with the other members of their family. They have become particularly well-known for occupying the position of the Chamberlain, the central administrative figure in the Imperium and the Imperator’s closest advisers. This accorded them the dignity of the purple-lined cloak, an acknowledgment of both their shared imperial lineage and their closeness to the throne. So famous were the Rendakisi for this service that the purple-lined cloak became almost a hereditary emblem of their House.

However, it is has only been in the last 500 years that they have been able to carve out a true space as one of the great power players in the Imperium. This came about because of the wily political machinations of one Sakares Rendakis, who managed to ally himself with several other noble clans to take down the reigning Imperator, Timotheos of House Diogenes. Sakares’ acumen earned him the grudging respect of his colleagues–as well as a considerable amount of money–and when the other clans could not agree to a claimant from among themselves, they elevated him, draping the purple around his shoulders and placing the heavy imperial crown on his forehead.

That was roughly 150 years before the start of that story, and at first it no doubt seemed to many in the Imperium that here at last was a dynasty that might just last for a thousand years. Sakares had 5 sons and 4 daughters, a truly fruitful branch of a tree that had already shown some very troubling signs of withering in the decades prior. There was every indication that this might at last be the royal House that would at last return dynastic stability to the seemingly chronically unstable Imperium.

It wasn’t long, however, before tragedy began to strike. It was the misfortune of Sakares to rule over the period of disease that came to be known as the Plague of Sakares. The virulence of the disease was such that it threatened to completely decimate the population of the Imperium. The Alchemists, with all of their training and lore in the arts of healing, were only able to save one out of every five victims, and there was no telling who might be struck down. The disease showed no consistency, striking down the young and the old, the healthy and the weak, the rich and the poor. Indeed, there were many among the Church, the Alchemists, and the nobility who were struck down, and there were many who felt that this might indeed be the end of the Imperium, and some even floated the possibility of appealing to the Shah of Haranshar for political and economic production.

Not even the royal family was spared, as the plague swept through the palace and consumed all but the youngest daughter of Sakares, a youth named Dominika, who would become the apple of her father’s eye and the sole hope of her entire House and all of its fortunes. As a result, she became known as “Dominkia the Deathless.” When her father was also carried away–though by grief rather than disease–she became Imperator.

However, she was deeply scarred by the loss of her family, and she inherited an Imperium that was riven from top to bottom. The common folk frequently rose in rebellion, protesting the class system that they had been forced to labour under their entire lives and demanding better wages. The Church was almost fatally weakened, as fully half of the Council of Prefects had perished and many of those who occupied the upper echelons of the hierarchy were also dead. As a result, Dominika oversaw some remarkable changes the structure of the Imperium, changes that would have far-reaching consequences, particularly as they gave the lower classes a greater presence in the lower house of the Senate (though she was careful to safeguard the interests of the nobility, for she was no fool. She knew where the real power in the Imperium lay).

Even after her death, Dominika would be remembered fondly by the common folk who, for the first time in many generations, had been ruled over by a powerful woman who seemed to have their best interests at heart. It is to her that the current Imperator, Talinissia, looks for a model (though it has to be said that there is a profound sense that she lacks the common touch that has been a key part of her family’s ability to hold on to the throne through all of the trials of the last century and a half).

Though the House’s current seat is located in the city of Aïonis (due to the fact that any House that occupies the throne claims that seat), they still maintain a traditional power-base in the peninsula, as they have for long served as Counts of Melita. This fact will come to have significant consequences for Talinissia as she faces the new political realities that slowly emerge as the Heretic’s War starts to heat up, and the world that the Imperator, as well as everyone who surrounds her, have so far taken for granted.

Time will tell whether the House itself can be saved.

World Building (6): The History and Ceremony of the Imperators

As has been noted elsewhere, the Imperium is ruled over by an autocrat known as the Imperator, whose power is virtually limitless. They are considered the living representative of the Name, and as such they exist in complementarity (in theory) with the Council of Prefects that rules over the Church.

Though the Imperator’s power is, in theory, without bounds, there are a number of factors that frequently influence how much they are able to wield. Foremost of these is the Senate, which is comprised of the various heads of the Houses, both Great and Lesser, that are the leaders of the many noble families, as well as some of the more wealthy and powerful merchants that inhabit the Imperium. There are, however, two “chambers” of the Senate. One, the senior chamber, is comprised of the nobles, including the Counts, Dukes, and Kings of the various administrative units, as well as the aforementioned Heads of House that are not rulers of these large units in their own right. This chamber wields all of the power and serves as the primary advisory body to the Imperator. The other, lower, chamber is comprised of the merchants and guild-masters. The Imperator is in charge of convening the Senate and having her or his decrees acclaimed by both groups. Except in extenuating circumstances in the history of the Imperium, the Senate has largely done as the Imperator wished. They also have the responsibility of acclaiming the Imperator upon his or her accession.

The position of Imperator has, by long practice, been assumed to be hereditary, even though this is not a strict rule. Instead, every Imperator that has established a steady rule has nominated their successor to reign with them as co-ruler, preferably when they are in middle age (as this supposedly cuts down on the possibility that an impatient heir may attempt to do away with a doddering senior partner). This has, for the most part, worked to the advantage of the Imperium as a whole, as it ensures a smooth transition from one ruler to the next. On occasion, however, it has resulted in conflict between parents and children, as the latter grow impatient for their turn to occupy the throne. This was the case with the Bastard’s War, in which a bastard son of Imperator Tiberian V slowly ingratiated himself with his father, thus spurring the ruler’s legitimate son to ignite a rebellion.

Through the years, the Senate has come to occupy a more pronounced and active role in the governance of the realm. Most of the various nobles who reign in their own right have historically treated their territories as their own private kingdoms, with little to no regard for the wishes of the increasingly-marginalized Imperators. Up until roughly 50 years before the time of the novel, this has been the case, and most people think of themselves as following their local lord before they think of themselves as subjects of the Imperator.

However, several recent Imperators have moved back to the model earlier established by their predecessors, taking on an increased role in direct governance. Part of this has stemmed from the increasingly restive and invasive Korrayyin and their allies the Haransharin, both of which have required strong forces. The current Imperator’s father became known as the Hammer for his ability to strike swiftly and without mercy, bringing fear to his enemies, both inside and outside of the Imperium. Indeed, he was well-known for his ability to bring the rebellious and fractious lords of the realm to heel and, unlike several of his predecessors, he took to attending meetings of the Senate, allegedly to make sure that he was aware of the goings-on in his realm but, far more likely, to strike fear into those who might be fomenting rebellion.

They have also returned to a model of court ceremony that had not been seen in several centuries. Now, it is required that all of those who wish to gain an audience with the Imperator, no matter their estate or class, must perform several rounds of obeisance, in order to show the proper humility to the one who is considered the earthly representative of the Name. This has served to ensure that the nobility understands their place in the divine ordering of the universe.

As a result of this semi-divine status, all Imperators are required to be crowned and anointed by the eldest member of the Council of Prefects. This is to ensure that the Imperator is blessed with the power of the Name as well as the acclamation of the Senate. This typically takes place in the Magisteria, the great church that sits at the direct center of the capital of Aïonis. The ceremony, as with all things connected to the Imperium, is intended to remind all of those gathered that the Imperator reigns with the utmost secular and temporal authority, and it is also a day in which the common people are treated to the greatest festival that any of them are likely to know. Recent Imperators have known that it is the common people who wield the true power–though they don’t realize it–and have acted accordingly.

Though coups are relatively rare, they have occurred for various reasons. The Imperator’s person is considered inviolate in theory, but as with so many things this does not always translate into consistency in practice (as the incident of the Bastard’s War makes abundantly clear). There are always those for whom the way that things have always been done are no impediment to their own ambition. It also doesn’t help when Imperators die before ensuring that their successor is secure on the throne, which happened with Talinissia’s father Philophanes, who died while she was still in her 20s, setting the stage for the armed uprising of her brother and the bitter Siblings’ War that nearly toppled the Imperium into utter chaos.

As the events of the novel begin, it remains unclear how much the position of Imperator has been damaged, and whether Talinissia is the one to bring stability. History, after all, has a nasty habit of repeating itself.

Novel Weekends (9): The Big Picture

This weekend, despite still being a bit exhausted from the Orientation, I’ve been able to write a bit. What’s more, I’ve been largely happy with the writing, which is always a truly great feeling.

I’ve now moved into a new character chapter, that of Rowena, a half-Anukathi/half-human assassin, spy, and general operative. I don’t have a full sense of her as a character yet, but things are starting to emerge as I write this chapter. For me, that’s one of the most exciting parts about this project: discovering things I never knew about the characters I’ve created. I know that she lost a father in the revolt led by the current Imperator’s brother a few years before, but I don’t know which side he was on (yet), or what her own political affiliations are.

The book I’ve been doing for research about the rediscovery of Aristotle’s works in the Middle Ages has really revitalized my drive to work on this novel project. I now have a stronger sense of the larger stakes, though the endgame is still a bit fuzzy. I’m really trying to do something compelling with the final battle that’s definitely a staple and to answer the question: “what happens if the gods on both sides die?”What happens to human beings in this schema? Does the created world keep going, when the force that gave it life is gone?

That probably gives you a sense of the trajectory. I’m still envisioning a quartet that leads to the final battle, but I also want to do a second series that continues the story of the first but in some new ways. I haven’t even decided which characters are going to survive, but I’ll figure that out as I go along.

Things are heating up, and I couldn’t be happier.

Character Sketch (3): Eulicia Khamytzes

We come now to Eulicia, one of the most enigmatic of my viewpoint characters, even to me. I’m still exploring her character quirks, her desires and motivations, but here’s what I’ve discovered so far.

Born into the powerful and influential House Khamytzes, she has known from an early age that she was fated for great things. While her elder brothers pursued the cursus honorum that would lead to their political futures, she decided that she would pursue her power through the auspices of the Church. It had been several generations since a member of her family had done so and thus, in consultation with her father and mother and the other leading magnates of her House, she saw the Church as a viable pathway to power.

Unlike some of her fellow Prefects and others in the Church, she is not primarily interested in the intricacies of theology or language, philosophy or the sciences. Instead, she is interested in politics and, above all, ensuring that the Imperium and the Church remain wedded in their mutual partnership. Naturally, this has also meant ensuring that heretics are expunged, but she does this not out of any doctrinal loyalty, but out of a desire to ensure that the world that she cherishes remains stable. For her, the costs incurred in this mission are never too large, for stability means that everyone, of high or low estate, is able to rest at night knowing that their lives are secure. (Of course, being born to wealth, she really has no idea that this doesn’t always work out so well in practice).

Given her upbringing and her birth, she moved quickly through the ranks of the Academy, and while she did not attain the highest marks, she was a competent student and teacher, able to impress those who encountered her with her erudition and the precision of her thought.

When one of the key places on the Council of Prefects fell vacant as the result of the death of Prefect Plakidia, Eulicia was in the perfect position to fill it. Her noble birth and her rank within the Church ensured that her election would not be too acrimonious, though there were a few ruffled feathers among the other noble families who also had their own members primed for the accession. The Duke Childerick, for one, had hoped that his own daughter would assume that position, and his resentment, and that of his son, will come to have significant consequences for the present actions unspooling.

Eulicia, like most of her fellow Prefects, has actively sought out a political role for herself. Unlike most of them, however, she has fostered particularly strong and close ties with the current Imperator Talinissia, with whom she has been close friends since they were both students at the Academy. Indeed, she has been by her side since it first became clear that her father, despite the wishes of many in his innermost counsels, was going to make sure that she acceded to the throne. Thus, it was Eulicia who was given the sacred task of investing Talinissia with the regalia upon her accession.

From the beginning of the reign of the Imperator Talinissia, she has thrown in her lot with the unlikely heir and done everything in her power to make sure that she has the support she needs from within the Church. This, despite the fact that a significant number of the Great Houses–and a large number of the Lesser ones as well–conspired and sided with Talinissia’s brother in his ill-considered bid for the throne. Though it would have been easier for Eulicia to abandon her friend, she did not and has not done so, strong-arming the more ambitious and rebellious members of her own family into supporting this particular member of the imperial family.

It should be clear, then, that Eulicia is more than a little ruthless. She does not necessarily see herself that way, however. Instead, she firmly believe that what she is doing is for the best of the Imperium, the Church, and the fundamental order that they represent on the temporal plane. She has made many enemies, but there are also many that respect her as a woman of integrity, ironclad as it may seem.

All of this probably makes her sound like someone who is merely hungry for power and is jealous of her class status. I suppose to some extent that’s true, but there is something else going on with her, as well. Eulicia is a woman who is utterly convinced that she is in the right, and it takes a great deal to convince her to change her mind. As the events of the novel unfold, however, it remains to be seen whether she will be able to weather the storm that is about to overcome her world and all that she knows.

Novel Weekends (8): Momentum

Well, it seems as if I have finally hit some momentum when it comes to my novel. I finally have a story that I think holds together pretty well, and after re-reading some of the material I’ve produced, I’m also happy with the way that I’ve told it so far. There’s a lot yet to go, but I’m confident I can get there.

Over this weekend, I managed to finish up the Prologue (which is now basically done), as well as parts of Chapter 3. I also published a character sketch of one of my primary characters, which really helped me to understand his depth and motivations in a much more sophisticated way.

I’m really happy with the way that the pieces of the first part of this novel are coming together. Writing an epic that’s more than just an adventure (though there’s nothing wrong with that), is a bit of a challenge, but it is definitely one that I am determined to undertake. I really want my fantasy novel to do, something and that is what makes it such a tremendously enjoyable endeavour.

I’ve also begun reading a fascinating little book called Aristotle’s Children, which details the rediscovery of Aristotle’s works in the late Middle Ages and the learning revolution that it sparked. This has helped to add some layer and depth to the story that I am telling, for The Heretic’s War is, quite simply, about one of those periods of epistemic shift that really reshapes how an entire civilization thinks of itself.

Now that I’ve started to make some genuine progress on the Dissertation–and, more importantly, nearing the finish line–I feel like I have a bit more space to work on my creative projects. That is truly a great feeling, and I look forward to the adventure!

Character Sketch (1): Antonius

Born into a yeoman family in the western duchy of Aspaña, Antonius was not, at first blush, fated for any sort of prominent position. However, he was from his youth a tremendously ambitious young man, and through sheer ruthlessness and determination he was able to secure himself a position in the local monastery, where he could at last indulge his love of books, knowledge, and the wisdom of the ancients.

It was not long before the abbot recognized his innate potential and began grooming him for a potential career in the highest echelons of the Church. He was sent to the Academy in Aïonis, recognized by everyone as the only sure way for those born into the lower classes to make their way up the ranks. He impressed his teachers, who recognized his intellectual and spiritual gifts and did all that they could to continue cultivating them.

He soon made a name for himself as one of those insufferable types of students who insists on following the rules, despite the fact that this made him tremendously unpopular among his fellow students. He was tormented by those who saw him as doubly a threat, both because of his accomplishments and because of the fact that he was a lower-class person who had risen to a position that they deemed the exclusive purview of the wealthy and the elite.

Though there was much he hated about his time at the Academy, he met the man who would come to be the love of his life, the nobleman Trystane. This youth, who came from the Peninsula, was one of those rare people who, despite their innate privilege, makes a point of befriending those in the lower classes. He was a few years younger than Antonius, but he was also brilliant, though in a different way. Whereas Antonius leans toward philosophy and theology, Trystane is more attuned to science and to the workings of things, including the affairs of nations.

The two began their relationship during their time at the Academy, and they have remained with one another ever since. Given that the Church officially condones same-sex relationships–both among the clergy and the laity–they have been allowed to be joined officially in the sacrament of marriage. This caused no small amount of friction with Trystane’s family in particular, since doing so not only abrogated any of his political ambitions but also sullied the vaunted name. Still, the relationship has persevered through all of that.

Indeed, it has been Trystane’s political acumen that has allowed Antonius to quickly ascend the ranks of the Church. There were, of course, many who opposed him, but Trystane was quite willing to do away with those who stood in the way of his beloved’s interests. Though he may have abandoned his traditional family loyalties, he was still able to use the skills that had been cultivated in him from an early age.

As Prefect, Antonius made it his duty to ensure that the purity of the Church is maintained. He views the stability of the Church as key to the stability of the cosmos, and he is also determined to ensure that the Imperators do not interlope too thoroughly on the interests and prerogatives of the Church. As a result, he has had several tense run-ins with the previous Imperator, and he has also been known to have heated arguments with the current Imperator Talinissia.

At the time of the novel, he has already been serving as a Prefect of the Church for the last twenty years, and in that time he has become one of the most ruthless and relentless persecutors of those who have been found. Unfortunately, he does not enjoy a great deal of support among the population of the Imperium, though the rank and file of the Church find him to be generous. He has made it a particular point to cultivate the talents of those who come from similar backgrounds as himself, including and especially the young Theadra. This girl, the daughter of a butcher, has a bright future ahead of her, though the events of the novel will test her in ways that she would never have imagined.

Further, Antonius has also earned the enmity of several of his fellow Prefects, almost all of whom hail from the nobility and thus view him with no small amount of skepticism and outright hostility. Of particular note in this regard is the Prefect Eulicia, who sees in him a threat to all that she has come to hold dear, particularly the order imposed by the aristocracy and the nobility. The two have spent many years sparring with one another, neither able to gain a definitive advantage over the other. How long that stalemate lasts, and who will emerge the victory in their strife, is one of the major plots of the novel.

Stay tuned for more characters sketches as I learn more about my characters and share that knowledge with you.

Novel Weekends (7): Good Progress

Well, this was actually a tremendously productive weekend in terms of novel composition. I wrote a total of 2500 words of Chapter 2, as well as some fine-tuning of Chapter 1. The latter is not completely finished yet, but it’s close to it. I’ve made a conscious effort not to leave any big gaps. In other words, I’m determined to work straight through. At this stage in my process, I think that’s really the best way.

Today’s chapter was told mostly from the point of view of the Prefect Antonius, one of my fave characters in the work. He is a straightforwardly queer character, one who lives with his beloved of many years, Trystane. He comes from one of the rural western duchies, from a farming family of modest means. This chapter reveals a lot about him, as well as his sense of loyalty, which at this point is being torn between his acolyte and his duty to the Church.

Overall, I’m quite happy with the way that Chapter 2 is turning out, and I’m excited about some of the research that I’m drawing in. Right now I’m reading a book on the Muslim conquests, as well as one about the way that the senses were understood in the Enlightenment. Everything, no matter how tangential, will prove to be grist for my imagination mill. Given that my series is loosely based on the Muslim conquests and on issues of embodiment and transcendence, these books should be especially useful for me.

I’m hoping to continue the forward momentum, though since I’m going to be traveling that might be a bit difficult. Still, I’m confident that I can eke out at least a couple thousand words before the end of the week. Then it’s back to Syracuse and back into the regular swing of things.

World Building (6): Haranshar

The empire of Haranshar is without question the leading political power on the continent of Aridikh and possibly the entire world. Featuring numerous peoples, geographies, religions, and traditions, it is without question an empire without rival. It is precisely because of its titanic mass, however, that it has remained stymied in its attempts to bring either Korray (in its entirety) or the Imperium back under its aegis. The Shahs have enough to do to keep their own provinces under their control, and they simply do not have the resources or the manpower to make a concerted push of reconquest.

Haranshar is a remarkably diverse nation, with many different races and ethnicities living in an uneasy peace. While there have been, at the start of the novel, at least two decades of relative stability and prosperity, there are still rumblings, both among the great powers of the native Haransharin (which are the dominant ethnic group), as well as among their various subject peoples, many of whom want to assert their own form of independence. The example of the Imperium is a powerful one, and there are many that would like to form their own sovereign states.

Foremost among these is the Kingdom of Eshkum, which has rebelled several times under the leadership of their powerful queens, known as Kidakia (from one of whom the current Imperator Talinissia is descended). Like the Korrayin, the Eshkumites claim a type of foreign descent, claiming that they come from the lost lands of Larkoness beyond the farthest horizons of the ocean. They yearn for a deliverer, one who will lead them to independence.

Despite the polyglot nature of the empire, since the rise of the semi-mythical Xaryush in the far-distant past it has remained the policy of all Shahs to subscribe to the faith of Ormazdh. For them, the material world is one that should be celebrated and embraced rather than abandoned or disavowed (as is the case with the Church). Thus, the trappings of the good life are to be embraced and cultivated assiduously, rather than disavowed (as is the case with the Church, as we have seen). As a result, the quality of life in Haranshar is quite high, particularly in comparison to the Imperium. This is not to say that the culture is an egalitarian one, since that would be against the hierarchical ordering of the universe that is key to the Ormazdhian belief system.

Governmentally, the empire is divided into four xhusts that are aligned with the four cardinal points. Each of these is under the administration of a powerful noble general, a svateth. These four enormous provinces are: Shakastan (the north), Kusharstan (the east), Pishapur (the south, and the traditional homeland of the ethnic Haransharin), and Hamarkhan (the west). These are divided into numerous smaller provinces, each of which are headed by great noble families, all connected by often complicated bloodlines.

Although the many powers in the empire frequently clash with one another, they all owe at least nominal allegiance to the Shah, who as the King of Kings is both the god’s divine representative on earth as well as the central part of the government. While this may be true in theory, it is not always so true in practice, and it is not uncommon for the various potentates in both the royal family and outside of it to attempt to seize the throne. While the bureaucracy of the state may ensure that Haranshar as a whole continues to function, ever man who ascends the throne of Haranshar knows that his life will be at constant risk.

The military is a powerful presence in the empire, and they frequently provide the muscle. Of particular importance in the military are the armoured cavalry. These soldiers always come from the nobility, particularly those of ethnic Haransharin stock, and it is this core of shock troops that has enabled this ethnic group to maintain its hold over its fractious empire. However, it is also a source of possible rebellion, as the events of the novels will make clear.

Women in Haranshar occupy a complicated but generally empowered position. They frequently circulate in the highest halls of power, and there is no law that states that they cannot assume the title of Shah should the need arise. Indeed, thre have been several women who have managed to secure a reign in their own right, though it must be noted that Haransharin law does demand that if a son is born his claim to the throne shall surpass that of any sisters that he might have, regardless of their birth order. Women can own property in their own right, and they can occupy the position of head of House. However, there are bans preventing them from occupying positions of authority in either the Ormazdhian Church or in the army. This does not mean, however, that they cannot influence those spheres of life, merely that they must do so on the sly.

Unlike the Imperium, which can trace the bloodline of its ruling house back to its very origins, Haranshar has been ruled by a number of dynasties, most of which are not related to one another by blood. Indeed, it has only been by a supreme effort of will that the Shahs have managed to keep the entirety of Haranshar from breaking apart altogether, and it is for this reason that there has long existed a measure of cooperation between the rulers and the priesthood of Ormazdh. For both of them, the stability of the religious and the worldly ensures that the cosmos itself remains stable and perpetual.

Indeed, as the events of the novel will show in some detail, there are many who are still quite resentful of both the House Nirhan (to which the primary character Arshakh belongs)   their successors the Harqashiri. Many of the other great clans still seek an opportunity to claim hegemony over the lands that were once theirs. The scheming and plots that will emerge among these powerful families will come to have dreadful consequences for the entire world that they have sought so assiduously to maintain.

World Building (5): The Art of Binding

At the very beginning days of the Church, when philosophers and theologians were still disputing about the nature of the material world, it became clear very early on that fire and air–as well as the more elusive aether–were the purer elements and that as such they should be viewed as infinitely superior to the baser elements of earth and water. Some of this was residual from the Church’s origins in the faith of the Haransharin, in which fire was held to be a purifying element. However, it also stemmed from the Church’s increasing desire to distance itself from the threads of the world, to assert its independence from the officials in the Ormazdh faith, and to provide a firm grounding upon which to build their new spiritual and political order.

In their efforts to access the transcendence offered by these purer elements, the men and women of the early Church uncovered several strange tracts written by obscure magicians and sorcerers among the Korrayin. These mysterious people, who some recorded had come from across the sea, had also brought with them the technology of Binding, one that they kept to themselves, locked behind walls. However, in the many skirmishes that had erupted in the lead-up to the revolution in which the Imperium gained independence, a number of these texts had fallen into the hands of those in the Imperium.

The practice itself involved a complex series of rituals. The base material to which the daimon would be bound had to be purified, usually through blood (it was rumoured that lifeblood was the most effective means, but that was strictly forbidden by the Church). It also required the use of an athame, a sacrificial knife, forged from a rare mineral found only in the Mountains of Korray. Through the carving of runes in the receptive material–which, incidentally, can include human flesh–the daimon is Bound, subject to the forces of the Binder’s will. The captured spirit can not only provide greater stability to building foundations (one of its most prominent uses), but also be used, albeit carefully, to produce weapons of often unimaginable destructiveness.

Foremost among those who espoused this new practice was the priest Xenoxes, who saw in it an opportunity to both attain the sort of transcendence that his fellow priests had aspired to and, just as importantly, to gain more than a little political power. He knew there were virtually no limits to this technology, and he spent a significant amount of time publishing many treatises about the ethics, practice, and philosophy around it. As a result, he gained an enormous following, and his thoughts on the matter came very close to being seen as the orthodox strain of the Church.

Such was the influence of Xenoxes that he managed to tremendously influence the other Church Elders, and there was a rush to perform Binding. Soon there arose a group of men and women who called themselves the Alchemists’ Guild, and they were determined to exploit this new magical technology to the utmost. The foundations–and many of the buildings–of the new imperial capital of Aïonis were reinforced with bound daimons. While there were some who raised questions about the ethics of doing so, the clear advantages managed to quell most of those. After all, how could it possibly be against the wishes of the Name for men and women to make the most of the accursed physical world to which they had been condemned? Was it not only right and fitting that the spirits that were the closest to the Name in substance should be used for the benefit of the fallen children of earth?

In what what would be called by some historians the First Binding Revolution, the use of this technique would soon become so ubiquitous that it transformed the world. It was, in many ways, a golden age for the Imperium. Though the production of weapons was limited–again via mediation from the Church–the buildings that were made with it were far beyond the scope of anything the world had yet seen. There was even the possibility that the power generated by Binding (and its dreadful twin, Unbinding), could be used as a source of power analogous to electricity.

Unfortunately, the technology also contained the seeds of profound destruction. A century and a half into the Imperium’s existence–after a series of protracted conflicts that became known as the First Korrayin War–a disaffected Korrayin youth, goaded on by those who did not have his own interests at heart, made his way into the center of the Palace of Justice, the administrative heart of the city of Aïonis. Having been Bound to a daimon, he had become a formidable weapon. He essentially set off a chain reaction that brought the entire Palace tumbling into ruin, and a dreadful purge of the Korrayin swept through the city.

The two synods that were convened in the aftermath of the Blaze declared unequivocally, that Xenoxes and his followers were heretical and that the daimons and the Elohim were most definitely NOT to be Bound to the mortal plane. To do so was the gravest form of enslavement, since it was held that the daimons, while they did not have the same amount of consciousness and subjectivity as humanity, nevertheless could not be held in this way. And the Elohim, which were closest to the Name in their composition–and as the servants responsible for holding the Demiurge in bondage in the Outer Darkness–were even more strictly out of bounds.

Unbeknownst to the authorities in the Church, however, there were many in the Academy who continued to conduct research into these matters. A few of these rogue alchemists were eventually betrayed by one of their own kind, however, and a terrible purge swept through every level of the Academy. Anyone who was held to have indulged in these forbidden behaviours was subject to immediate trial and execution, and the road known as Traitor’s Way was soon flocked with the flayed corpses of the heretical.

Since that time, the Art has largely vanished. It was deemed far too powerful and dangerous a weapon, and all traces of it were sealed in the forbidden vaults of the Academy. Even the Korrayin, those who perfected the craft, swore off of its use, for they saw in it the potential for the great powers on their borders to exact even more damaging losses on their sovereignty.

In the era immediately preceding the actions of the novel, the Art has once again begun to be secretly practiced among both the Korrayin and among several rogue Alchemists in the Academy, the latter of whom have discovered in the deepest parts of the archives. The discoveries have the potential to change the course of both the Imperium and, even more importantly, to disrupt the fragile stalemate that has long existed between that nation and Haranshar. Now that there are so few who have actually been trained in its intricacies, it is hard to say what the consequences will be.

It is certain, however, that they will be disruptive and, quite possibly, destructive as well.

Novel Weekends (5): World Building and a New Prologue

Two major accomplishments to report today.

First, I published a blog post (which you can see here), that is a bit of world building. As I’ve said before, that is one of the most exciting–and most challenging–parts of writing epic fantasy, but I think at last that the pieces are coming together. It’s surprisingly difficult to build a religion from the ground up, but luckily some actual faiths from the history of our world have provided at least something of a skeleton.

Second, I also managed to write over 2,500 of a new prologue for the first book.

This prologue looks significantly different than its earlier iteration. There are now two viewpoints rather than one, reflecting a pretty substantial plot development I discovered during yesterday’s outlining. The prologue narrates the meeting of the enigmatic Conclave of the Nameless, particularly two of its members, the Stranger and the High Queen of the Anukathi Y’Narra, both of whom are given tasks by their master the Demiurge (who appears as male to one and female to the other). While we know the Stranger’s task (at least in broad outline), I’m leaving Y’Narra’s a mystery (which probably won’t be revealed until Book 2).

I probably won’t have a lot of time to work on the Novel this week, since I want to finish up a novelette I’m working on and a short story (the latter of which will debut here!) Still, I hope to chip away at some outlines, just so I have an idea of how the larger series is going to work out.

Ultimately, I hope to make this two quartets, with the second taking place some years after the first.

The first quarter will be titled The Heretic’s War, while the first volume will be The Blooded Sword. 

I feel really good.