Part II: Wicked Women and the Negotiation of Female (Dis)empowerment (1 April 2016)

Metathesis

“Not only did she dupe me into believing she still loved me, she actually forced me to implicate myself. Wicked, wicked girl. I almost laughed. Good Lord, I hated her, but you had to admire the bitch.” – Nick Dunne

Gone Girl, (Flynn 345)[1]

The majority of Gone Girl’s masterful storytelling depends on Flynn’s fascinating, journalistic style of characterization and description, a thriller’s requisite plot twists and explosive reveals, and the unreliability of the two narrators, Nick and Amy Elliott Dunne.[2] Throughout the majority of the novel’s first part, “Boy Loses Girl,” while Nick narrates the present-day events concerning the disappearance of his wife, readers learn about Amy through various diary entries, the first of which details the night she and Nick met at a writer’s party – a charming, witty, and thoroughly romantic meet-cute scenario that plays perfectly into the image of a happy…

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