In today’s installment, we’re going to be talking about yet another suitor of Blanche’s who wants her to marry him, a certain wealthy widower named Richard.
Since Blanche is, unequivocally, the youngest of the four, it makes sense that she would be the one who could most easily slip back into the role of mother should the necessity arise (this is a theme that will emerge several times in the series run). However, she also comes to recognize that she can’t fix all of the problems that have already started to afflict his family, including his divided loyalties between his sprawling business empire and his children.
As always, however, the narrative forecloses on the possibility that Blanche is going to actually marry this man. For all that they actually seem to get along well, and for all that he would provide a measure of financial and domestic stability that she lacks, the series again reminds us that it is the relationship among the women that takes center stage. While Blanche does not say so specifically, it’s clear that she is not willing or able to take on the responsibility of fixing the many domestic problems that Richard has already begun to encounter.
The other narrative thread of the episode follows Dorothy and Rose as they attempt to install a toilet on their own. Of course, this whole sequence is delightfully ridiculous, as the plumber turns out to be quite misogynist jerk who labours under the impression that women, especially older women, are incapable of doing male domestic labour. Of course, the two of them do, in fact, manage to successfully install it, giving the lie to the idea that two elderly women can’t take control of their own homes.
While this may seem a bit of a banal point, I do think it says something that Dorothy and Rose are able to reclaim this symbolic victory from the men who would dismiss them out of hand simply because of their gender and their age. Given that we now live in a country in which a notorious misogynist like Donald Trump has now been given the reins of power, this message of empowerment and reclamation seems to have taken on an extra layer of significance. This particular story gives us hope that even in the darkest of times there are still moments of representation–the symbolic, if you will–that show us what an alternative world might look like.
To me, the unruly women of The Golden Girls, with their refusal to cave in to the demands of patriarchal culture, are an important corrective to the world we are facing. We can look at them and draw hope from the fact that they managed to express such radical politics even during the backlash era, and we can continue to fight back against the powers arrayed against us.
Next up, we come to one of the most politically pointed episodes of the entire first season when Blanche is confronted with sexual harassment at her adult education course.