Dissertation Days (41): No Title Needed

Today was a moderately successful day. I only wrote 500 words, but they were good words (I think), so that means a lot (to me, at least). As I always say, any progress is good progress.

The most noteworthy accomplishment today was that I have finally begun to pull the theoretical context together. For me, this is always both the most fun and the most difficult to write. On the one hand, it allows me to really get into the weeds on the theories that I’m working with–whether it’s narrative theory, color theory, or something else–and show how these theoretical models can help us understand the way that film works. It’s a site of play and opportunity, a means of shedding new light on a very dynamic group of films.

However, it’s also a very challenging section as well, in that it can be a place where my own exuberance gets a bit ahead of itself. As my Adviser once remarked, it’s like I try to cram everything I ever read into this tiny section. Again, that has to do with the fact that so much of theory that I’m bringing to bear is so exciting, and it’s quite easy to let it get ahead of me. So, I have to exercise caution.

The other challenge, of course, is making sure that I show how this section leads naturally and organically into the next. Again, it’s really hard to let it sort of spin out of control, so that it seems to float above the other two sections (the historicizing and the close readings themselves). For someone who loves to write, this can be quite the hurdle to overcome.

I also spent part of today’s session working  on the close reading of Cleopatra. Some bits of genuine light have begun to filter though, so I’m very excited about that. In some part of my mind, I’m still wrangling with the last film in the close reading section, but I’m confident that I will be able to fit it into the whole chapter.

The next few days are going to be a bit touch-and-go with Dissertation stuff. I have a conference paper due next week, and a lot of other stuff going on. Still, I hope to chip away at it and eke out a few words. Once next week is over, though, I’ll be back into full composition mode.

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