Full spoilers for the episode follow.
In a special double feature, our intrepid heroes Wil and Mareth continue their quest to bring the Warlock Lord’s skull back from the past, the politics of Leah grow ever more complicated, and Allanon must confront the reality that he is dying.
The Warlock Lord continues to loom as the series’ potential Big Bad, the force that will bring about the fall of the Four Lands and all of our noble (if seriously flawed) heroes. At this point, it’s pretty clear that we are going to see this figure return from the dead, though it’s equally certain that Wil will have to defeat him.
The Queen of Leah continues to be a compelling and deeply flawed character. Despite the fact that she does what she does–the scheming, the manipulating, the backhand dealing–she does for the good of her people, she inadvertently has set in motion the very destruction that she originally set out to prevent. In the end, she not only sees her ambitions come to nothing when Riga slaughters her retainers and Ander himself (which was both brutal and hear-wrenching), but she has also put her daughter at risk. The Crimson is a destructive force that will, it seems, make the Warlock Lord’s mission to bring the world into darkness that much easier. There is clearly a dark poison working its way through the bloodstream of the Four Lands, and one can hope that Wil is able to cleanse it before it does any more damage.
We finally learn the secrets of Eretria’s legacy, as one of those whose ancestors survived the Great Wars; as such she has the potential to be either a being a saviour or a demon. If I’m being completely honest, this feels a bit tacked-on, a means of giving Eretria something to do besides mope around after her sundry love interests. Don’t get me wrong: Ivana Baquero is probably one of the better actors in this show, and it’s that fact that keeps her character so continually interesting to watch.
For his part, Manu Bennett continues to chew scenery with abandon, but that’s part of what makes him one of the best things about the show. One thing The Shannara Chronicles gets right is the fact that Allanon is a ruthless manipulator, one who is willing to sacrifice anyone in his efforts to save the Four Lands. At the same time, we also get to see the toll this has begun to take, both physically and emotionally. I, for one, have no doubts that he’s not going to make it through to the end of the season, and that will actually fit well with the series’ clear intention of breaking apart the myth of the triumphant hero.
I can’t shake the feeling that the show-runners know that this is going to be the final season, and so they are pulling out all the stops (including showing two episodes in one night). It’s really a shame, though, since the series has taken some interesting turns. Still, I rather wish that they had chosen to adapt most of The Wishsong rather than doing a grab-bag of the various other parts of the Shannara mythos. Doing so has really short-circuited some of the season’s narrative threads, though fortunately “Crimson” managed to bring things together in the end. Still, it’s rather irritating to see the characters wandering about doing nothing consequential and then abruptly having a climactic moment that is moving but doesn’t really feel earned.
Overall, these two episodes were…good. However, it’s hard not to shake the feeling that the series is verging on the edge of going completely off the rails. There are just too many sub-plots going on–time travel, sinister wraiths, anti-magic users–and the show hasn’t done a great deal to bring them all together into a cohesive whole. The time travel plot in particular feels both strange and unnecessary, and I for one am glad that that plot is done with.
At this point, I will be satisfied if the series comes to a satisfactory conclusion, with all of the sundry plot threads wrapped up. I really don’t think it would be wise to leave anything hanging (as happened last season). I guess we will just have to wait to see how things pan out.