The 1992 Aladdin was the first Disney film I well and truly fell in love with in the theater. Though I later came to understand the many problematic things about it (not least its flagrant Orientalism), I also came to appreciate the queerer textures that bubble under its heterosexual surface (Jafar is one of the queerest of the Disney villains IMHO). And there’s no question that the film is breathtaking and gorgeous and filled with irresistible music.
So, all of that being said, I was a little dismayed to hear that Disney was going to be doing a live-action remake. Though I had liked The Jungle Book, I felt that Beauty and the Beast was so devoid of imagination as to be a colossal waste of time. I still harboured hopes, though, that somehow Aladdin would be different.
If the recently-released trailer is anything to go by, it won’t be.
First of all, it boggles my mind how a film that is so expensive to make can look so distressingly cheap. As I watched the trailer, I just could not quite shake the feeling that I was watching an extended episode of Once Upon a Time. It is definitely not a good thing if your big-budget blockbuster looks like your network show, and I still cannot wrap my head around how so much money could produce such shoddy CGI. Admittedly, some of this cheapness may look better on the big screen, but I’m not holding my breath.
Secondly even if the CGI ends up looking better in the final film that we see in theaters, there’s no shaking the fact that the costumes aren’t great. Again, I’m not sure exactly how it is that such a big budget can produce costumes that look so….cheap and campy. Speaking of camp, I have a feeling that this film is going to be way camp, and not in the self-conscious way that the filmmakers and studio would like.
Third, while it’s no secret that the 1992 Aladdin was hella racist and Orientalist, one would think that two and a half decades would have taught studio execs something. Certainly, they made the right choice by populating the film with non-white actors, but there’s still so much about the aesthetic of the film–and even the core of the film itself–that can’t quite elude the aura of fetishizing the Middle East. While you could get away with that nonsense in the 1990s (sort of), I have my doubts about how well this is going to fly in 2019. (And don’t get me started on the fact that they still felt the need to cast a white actor as a rival for Jasmine’s affections).
Finally, there’s the fact that the whole affair just looks so…small. I don’t know. Maybe it’s because traditional 2-D animation still has a sense of wonder and magic about it, but I’m always shocked by how limited these remakes are. The Jungle Book probably came close to attaining the grandeur and majesty of the Disney Renaissance, but I think that may have to do with the fact that the film they chose to remake is one of the lesser lights in the Disney firmament. In any case, the trailer for Aladdin fell very short indeed of any sort o (the opening shot of the Cave of Wonders was particularly underwhelming).
And the worst part about whole thing?
I’ll still go see it.
I guess I’m a glutton for punishment.